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      <image:caption>Rutgers Jazz faculty at the Blue Note</image:caption>
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      <image:title>home - Alumni Wind Ensemble, Rutgers Mason Gross</image:title>
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      <image:title>home - Blue Note, NY</image:title>
      <image:caption>Rutgers Jazz faculty at the Blue Note</image:caption>
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      <image:title>home - Piktors at SoundWaves Studio</image:title>
      <image:caption>NJ Proghouse</image:caption>
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  <url>
    <loc>http://www.marcstasio.com/hiddenscore</loc>
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    <lastmod>2019-08-27</lastmod>
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      <image:title>Hidden Score Blog</image:title>
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    <lastmod>2019-08-30</lastmod>
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  <url>
    <loc>http://www.marcstasio.com/hiddenscore/2018/8/8/flawless-imperfection-part-ii</loc>
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    <priority>0.5</priority>
    <lastmod>2018-08-09</lastmod>
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  <url>
    <loc>http://www.marcstasio.com/hiddenscore/2018/7/30/flawless-imperfection-part-i</loc>
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    <priority>0.5</priority>
    <lastmod>2018-07-31</lastmod>
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  <url>
    <loc>http://www.marcstasio.com/hiddenscore/2017/2/26/first-thoughts-on-first-love-song</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-09</lastmod>
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      <image:title>Hidden Score Blog - First Thoughts on ‘First Love Song’</image:title>
      <image:caption>Ex. 1 - Eight bar piano reduction of "First Love Song" for analysis. Click to enlarge.</image:caption>
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  <url>
    <loc>http://www.marcstasio.com/hiddenscore/2016/5/18/blockhead</loc>
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    <lastmod>2018-07-31</lastmod>
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  <url>
    <loc>http://www.marcstasio.com/hiddenscore/2016/5/1/seven-seconds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462159355023-W89M8328CCZIW1OQFZ33/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 2. Tempo/Feel indications and starting dynamics are commonly omitted in error, yet is crucial starting information.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462160222452-K21KEHOND6LRG5CPQGOH/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 8. Refine sketch ideas to include breath and phrase considerations for horn players. Also, hairpins without start and ending dynamics are nebulous and incorrect. (click to enlarge)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462161066999-VCR7LGBY4QODVD31EJSI/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 12. Cymbal patterns above the staff should be notated using X-heads, instead, as shown below. These could be confused as tom-notation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462159835787-REOJWLHRMPQ7U3W0HRNR/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 5. Indented Codas with spit-systems are easier to locate on parts and makes for improved formatting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462160694481-1YK7EXR60NKHIN0QEIP8/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 10. Do not indicate slash chords on both staves of a grand staff. Treble clef always takes priority. Many score editors can also hide blank staves (in this case, the bass clef) to make parts more condensed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462159408443-7M3X5A9TTXY764P2R6MQ/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 3. Left-justified rehearsal marks are a common convention that helps the conductor and players find their place faster. (click to enlarge)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462159891363-DYHD3LCCWIN2P43J38AG/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 6. Similarly, Codas on scores should also use a split-system for similar reasons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462161496611-XJJNZYT1IKNAO8C0S63O/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 14. Proper use of slash notation indicating a whole-kit hits.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462161545776-ZGLD7CU8LQXCELBV0FAX/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 15. Another sample of various drum note-heads and their use. Here, cymbal notation is contrasted to ensemble-hit notation. Notice the ensemble-hits reside slightly above the staff.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462160952947-2FQ12UT0TYZZDU62WOLW/image-asset.png</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 11. Do not confuse note-heads on drum notation. In this case, these ensemble-hit indications should be slash-heads. These X-heads could be confused as cymbal notation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462161344923-675WQIWQ7PKI646IWD9L/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 13. Mid-staff drum notation is likely indicating whole-kit hits (as opposed to a time pattern) of which X-heads could be confused as snare or rim notation. These should be slash-notation, as below.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462160038296-FVEE5J5DRRRM6ACW7B92/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 7. Set descriptive title-headers after the first page on score and parts. These are immensely helpful. Without them, loose parts can become easily confused.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462160478435-1JZZUDQ0KW7NARCLO2SW/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 9. Comping slash-chords on a piano grand-staff is best left to the treble clef only. Otherwise this is rather unclear to the pianist. Same for solos; it's tedious to indicate comping chords below slash-solo chords.</image:caption>
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      <image:title>Hidden Score Blog - Seven Seconds</image:title>
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    <image:image>
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      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 1. Double-barlines at Rehearsal marks more clearly delineate sections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54b30367e4b007479dfd1866/1462159666265-9CHUX63X1NP7L0FXR5N9/image-asset.jpeg</image:loc>
      <image:title>Hidden Score Blog - Seven Seconds</image:title>
      <image:caption>Ex 4. Solo-changes kept 4-bars across each system assist the soloist in keeping track of chord changes and concentrating on their solo. This, of course, is relative to the context of a given tune.</image:caption>
    </image:image>
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    <loc>http://www.marcstasio.com/hiddenscore/2017/5/22/surveys-says-</loc>
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